Landscape

by Anne-Sophie Tschiegg

  • Printed in France

* UNE RÉDUCTION DE 15% s'applique aux communes de moins de 5 000 habitants.Contactez-nous pour bénéficier de cette remise.

* POUR TOUTES LES COMMUNES, une réduction de 10% s'applique automatiquement à partir de 3 expositions commandées.

Technique: acrylic painting.
Exhibition available in 2 formats for outdoor use and 1 format for indoor use.


"I realized that I was constantly moving between three conventional categories - landscape, portrait, vegetation - each pushed to different degrees of abstraction, all blending together. A landscape can end up as a portrait, and vice versa: the only challenge is the surprise of the reversals. I like the imbalance, the seesaw, the moment when everything is about to collapse and I have to catch up with everything.

I paddle forward.

I impose on myself the constraints of a diarist: a sky a day, a page of mushrooms, a collage or a small canvas. I scrutinize. I move from large format to very small, from the shoulder to the wrist, it's almost the same thing. I call out the colors aloud, the tubes, the pigments. It reassures me to name them.

I start over a lot.

The perilous paintings that sometimes require months of work and the jubilant paintings, done very quickly, have in common the impetus - an idea! - the desire to go for it, to launch oneself, the fleeting vision that whets the appetite. I like the beginning, the attack. The hour of possibilities.

Only astonishment gives me the feeling of moving forward. I cannot do what I have already been able to do.

“My stubbornness—my beautiful concern—is color. I work for several months on large canvases, until something vibrant appears in the covering, the transfer, and the movement. It is the vegetal that appears, but it is the underlying organic that interests me. I look for the pulp in the rhizome or in the leaf, to account for the fleeting vision of growth or bursting. I proceed by successive layers, all of which contaminate each other and all of which retain the trace of the pentimenti. Each color feeds on the one it covers.”

• Outdoors: choose locations where people take a walk and/or where there is a lot of foot traffic: in the centre of the town, near a school, in a public garden or along a walking trail... And if possible, on flat ground!

• Indoors: reception hall, office, waiting room, dining room, meeting room - choose the best-lit space.
CAUTION: If the space where you are displaying the exhibition is slightly damp, we recommend purchasing eight simple frames of the same size (50 x 70 cm) to protect the prints.

The papers we have chosen for printing our exhibitions meet two essential criteria, among others: beautiful colour rendering and durability.

• Exhibitions intended for outdoor display are printed on high-quality 130gsm blue-backed paper.

• For exhibitions intended for indoor display, we have chosen a 550gsm semi-rigid paper to which we attach a simple hanging system. These panels can therefore be hung on a single nail or framed if they are to be displayed in a slightly damp location.

For outdoor displays, our poster formats have been chosen to best suit “election” billboards:

Large outdoor format (84 x 119 cm) for maximum impact. With one poster per billboard, you will need eight in total.

Small outdoor format (63 x 93 cm) so that two posters can be placed on the same billboard... meaning you only need to install four billboards.

• Indoor exhibition (50 x 70 cm): 8 prints to hang on 5 linear metres of free wall space.

Anne-Sophie Tschiegg

"My stubbornness - my beautiful concern - is color. I work for several months on large canvases, until something vibrant appears in the covering, the transfer, and the movement. It is the vegetal that appears, but it is the underlying organic that interests me.

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