Guillaume Chauvin questions the subjectivity of images and asserts a “documented point of view” in his photographs.
Guillaume Chauvin questions the subjectivity of images and asserts a “documented point of view” in his photographs.
Having lived in Russia for a time and attracted by people living lives other than his own, he published illustrated stories, war reports, poems and manifestos in the national and international press (M Le Monde, Society, L'OBS, Commando Magazine, etc.) and collaborated with various sponsors (Nike, Institut Français, Greenpeace, etc.).
Guillaume Chauvin also writes (Éditions Allia) and edits (Les éditions m'habitent).
As the other would say, there is Belgian surrealism in Chauvin, inappropriate excesses and ways of creating the magico-existential by betting on chance.
A true Poulidor of the image (finalist for the Rencontres d'Arles Book Prize, finalist for the AFD Prize, finalist for the ICP Prize, finalist for the Talent Exchange, finalist for the Freelens Mentor Prize, finalist for the Paris Match Grand Prix, etc.), he has been a member of the Hans Lucas studio since 2015.
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